Sunday, August 21, 2005


PERHAPS THE WORLD ENDS HERE

The world begins at a kitchen table. No matter what, we must eat
to live.

The gifts of earth are brought and prepared, set on the table. So it
has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the cor-
ners. They scrape their knees under it.

It is here that children are given instructions on what it means to be
human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our
children. They laugh with us at our poor falling-down selves and as
we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun.

Wars have begun and ended at this table. It is a place to hide in the
shadow of terror. A place to celebrate the terrible victory.

We have given birth on this table, and have prepared our parents for
burial here.

At this table we sing with joy, with sorrow. We pray of suffering
and remorse. We give thanks.

Perhaps the world will end at the kitchen table, while we are laugh-
ing and crying, eating of the last sweet bite.

Joy Harjo
from THE WOMAN WHO FELL FROM THE SKY,
(W.W. Norton, 1994)



THE PEOPLE OF THE OTHER VILLAGE

hate the people of this village
and would nail our hats
to our heads for refusing in their presence to remove them
or staple our hands to our foreheads
for refusing to salute them
if we did not hurt them first: mail them packages of rats,
mix their flour at night with broken glass.
We do this, they do that.
They peel the larynx from one of our brothers' throats.
We de-vein one of their sisters.
The quicksand pits they built were good.
Our amputation teams were better.
We trained some birds to steal their wheat.
They sent to us exploding ambassadors of peace.
They do this, we do that.
We canceled our sheep imports.
They no longer bought our blankets.
We mocked their greatest poet
and when that had no effect
we parodied the way they dance
which did cause pain, so they, in turn, said our God
was leprous, hairless.
We do this, they do that.
Ten thousand (10,000) years, ten thousand
(10,000) brutal, beautiful years.

--Thomas Lux
from SPLIT HORIZON, (Houghton Mifflin, 1994)